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  • Sparks lil beethoven rar. 0 Comments Ks Rom V1 3 Rev 34.5. 5/24/2019 0 Comments 2015/02/02 MAME ROMs updated to.158! Ks Rom V1 3 Rev 34.5 Download. Still working on the CHDs, some logistical things to figure out due to their size.
  • View credits, reviews, tracks and shop for the 2002 CD release of Lil' Beethoven on Discogs.

Lil' Beethoven is the 19th album by the American rock band Sparks, released in 2002. But the nine-song-strong Lil' Beethoven album is rendered immaculately, with backing tapes picking up the slack around the minimalist live band. From there, 13 'bonus live tracks' take you through a more conventional Sparks concert, but the mood and majesty of the earlier set lingers on, through both the expected hits and the occasional surprise inclusion - 'The Ghost of Liberace' is ethereally beautiful. Jan 14, 2012  Lil’ Beethoven (2002). With their career somewhat on autopilot, Sparks threw all pop conventions out the window and created this modern masterpiece. Underneath the big production, you can really hear how Sparks construct their music – from the keyboard up.

Tracklisting

01. The Rhythm Thief
02. How Do I Get To Carnegie Hall?
03. What Are All These Bands So Angry About?
04. I Married Myself
05. Ride 'Em Cowboy
06. (Ride 'em cowboy, ride 'em)
07. (Ride 'Em Cowboy 2 cont'd)
08. (Ride 'Em Cowboy 3 cont'd)
09. My Baby's Taking Me Home
10. Your Call's Very Important. Please Hold.
11. Ugly Guys With Beautiful Girls
12. Suburban Homeboy


Reviews

'A Masterpiece of Pop Art' - Independent
'A Self-contained Masterpiece' - Record Collector
'It's What The World's Been Waiting For' - Mojo
'Excellent' - Independent on Sunday
'One Of The Most Extraordinary Albums Of The Year' - The Telegraph
'Uniquely, Brilliantly Sparks' - Q
'An Opus' - Daily Express
'Gilbert & Sullivan On Qualuudes' - Muzik


Lyrics

01. The Rhythm Thief

I am the rhythm thief
Say goodbye to the beat
I am the rhythm thief
Auf wiedersehen to the beat
Oh no, where did the groove go, where did the groove go, where did the groove go?
Lights out, Ibiza
Where did the groove go, where did the groove go, where did the groove go?
You'll never get it back, you'll never get it back,
The rhythm thief has got it and you'll never get it back
You'll never get it back, you'll never get it back,
The rhythm thief has got it and you'll never get it back
You'll never get it back, you'll never get it back,
The rhythm thief has got it and you'll never get it back
Lights out, Ibiza
I am the rhythm thief
Goodbye, goodbye, goodbye

02. How Do I Get To Carnegie Hall?

How do I get to Carnegie Hall?
How do I get to Carnegie Hall?
How do I get to Carnegie Hall?
Practice, man, practice
Practice, man, practice
Practice, man, practice
Practice, man, practice
How do I get to Carnegie Hall?
Practice, man, practice
How do I get to Carnegie Hall?
Practice, man, practice
To get yourself to Carnegie Hall
Practice, man, practice
Carnegie Hall, Carnegie Hall
Technical facility,
Old-word sensibility
All of this I did for you
Still there is no sign of you
I practiced, I practiced
Carnegie Hall was beckoning
I practiced, I practiced
Carnegie Hall was beckoning
I was ready, I was ready
Carnegie Hall was beckoning
Still there is no sign of you, still there is no sign of you
Steinway, Steinway, Steinway, Steinway,
How do I get to Carnegie Hall?
Practice, man, practice
How do I get to Carnegie Hall?
Practice, man, practice
To get yourself to Carnegie Hall
Practice man, practice
Carnegie Hall, Carnegie Hall
Practice on the Steinway,
Practice on the Steinway,
Practice on the Steinway,
They loved it, they showed it
The audience was deafening
I was ready, I was ready
The critics all said, 'riveting'
On the Steinway, on the Steinway
I guess it doesn't mean a thing
Still there is no sign of you,
Still there is no sign of you
How do I get to Carnegie Hall?
Practice man, practice
How do I get to Carnegie Hall?
Practice, man, practice
How do I get to Carnegie Hall?
Practice man, practice
Still there is no sign of you.

03. What Are All These Bands So Angry About?

Hey everybody, what do you say
Someone's stolen our spotlight, Ray
Hey everybody, what do you say
What are all these bands so angry about?
Hey everybody, what do you know
Something's stolen our thunder, Joe
Hey everybody, what do you know
What are all these bands so angry about?
Hey everybody, what do you know
Something's stolen our thunder, Joe
Hey everybody, what do you know
What are all these bands so angry about?
Hey everybody, what can we do?
Crank it up just a notch or two?
Hey, everybody, what can we do?
What are all these bands so angry about?
Hey everybody, they called our bluff
Our profane ain't profane enough
Hey everybody, they called our bluff
What are all these bands so angry about?
Hey everybody what do you say
Someone's bounced us from center stage
Some might have done it, but not today
Beethoven, Coltrane, or Lady Day
Some might have done it, but not today
What with all these things besieging us now
Some might have done it, broken on through
Wagner, Tatum, or Howlin' Wolf
Some might have done what we'll never do
What are all these bands so angry about?
Hey everybody, what do you know
Something's stolen our thunder, Joe
Hey everybody, what do you know
What are all these bands so angry about?

04. I Married Myself

I married myself
I'm very happy together
I married myself
I'm very happy together
I married myself
I'm very happy together
Long, long walks on the beach, lovely times
I married myself, I'm very happy together
Candlelight dinners home, lovely times
This time it's gonna last, this time it's gonna last
Forever, forever, forever
I married myself
I'm very happy together
I married myself
I'm very happy together
This time it's gonna last, this time it's gonna last
Forever, forever, forever
This time it's gonna last, this time it's gonna last
Forever, forever, forever
I married myself
I'm very happy together
Long, long walks on the beach, lovely times
I married myself, I'm very happy together
Candlelight dinners home, lovely times
This time it's gonna last, this time it's gonna last
Forever, forever, forever
This time it's gonna last, this time it's gonna last
Forever, forever, forever

05. Ride 'Em Cowboy

They laughed with me
Then laughed at me
They said, 'how true'
Then said, 'not you'
They thought how wise
Then thought goodbye
You hit your stride
Then Mr. Hyde

06. (Ride 'em cowboy, ride 'em)

They laughed with me
Then laughed at me
They said 'how true'
Then said 'not you'
They thought how wise
Then thought goodbye
You hit your stride
Then Mr. Hyde
Ride 'em
I got thrown again
Ride 'em
Get back on again
I swam, I sank
Top seed, unranked
The pole, the wall
The pride, the fall
A state of grace
Slapped in the face
A state of mind
Then card declined
From great to good
From good to fair
To barely pass
Stay after class
I'm hot I'm cold
I'm bought I'm sold
First accolades
Then hand grenades

07. (Ride 'Em Cowboy 2 cont'd)

They hate your look
They hate your book
They hate your guts
You've heard enough
It's not your day
It's not your week
It's not your month
It's not your year
First AOK
Then IOU
BMOC
Then MIA
From DIY
To DUI
From 411
To 911
Ride 'em cowboy, ride'em
Ride 'em cowboy, ride'em
First AOK
Then IOU
BMOC
Then MIA
From DIY
To DUI
From 411
To 911
From soup to nuts
From job to cuts
From sure to chance
From can to can'ts
From smart to dumb
From bread to crumbs
From wowed to bored
Olé, then gored
Ride 'em cowboy,
I got thrown again
Ride 'em cowboy,
Get back on again

08. (Ride 'Em Cowboy 3 cont'd)

From just desserts
To just desserts
From you're for me
To ça suffit
From bon vivant
To sycophant
From open door
To merde, alors
From just desserts
To just desserts
From you're for me
To ça suffit
From bon vivant
To sycophant
From open door
To merde, alors
Ride 'em
I got thrown again
Ride 'em
Get back on again
Ride 'em cowboy
Ride 'em cowboy

09. My Baby's Taking Me Home

Home, my baby's taking me home
My baby's taking me home
My baby's taking me home
My baby's taking me home
My baby's taking me home
As we walk through the morning rain
And the skies are clearing
And the streets are glistening
Streets named for New England trees
A rainbow forms
But we're both colorblind
But we can hear what others can't hear
We can hear the sound of a chorus singing
Home, my baby's taking me home
My baby's taking me home
My baby's taking me home
My baby's taking me home
My baby's taking me home

Lil Beethoven Sparks Rare

10. Your Call's Very Important. Please Hold.

Please hold. Please hold. Please hold. Please hold.
I'm getting mixed signals, mixed signals, mixed signals, mixed signals
At first she said, 'your call is very important to us.'
And then she said, 'please hold, please hold'.
Then she said, 'your call is very important to us'
And then she said, 'please hold, please hold'
At first she said, 'your call is very important to us.'
And then she said, 'please hold, please hold'.
Then she said, 'your call is very important to us'
And then she said, 'please hold, please hold'
At first she said your call was very important to us
And then she said please, please hold
At first she said your call was very important to us
And then she said please, please hold, please hold
Green, green light, red light
Green, green light, red light
At first she said, 'green light'
And then she said, 'red light'
At first she said, 'your call is very important to us.'
And then she said, 'please hold, please hold'.
Then she said, 'your call is very important to us'
And then she said, 'please hold, please hold'
Green, green light, red light
Green, green light, red light
At first she said, 'your call is very important to us.'
And then she said, 'please hold, please hold'.
Then she said, 'your call is very important to us'
And then she said, 'please hold, please hold'
At first she said, 'your call is very important to us.'
And then she said, 'please hold, please hold'.
Then she said, 'your call is very important to us'
And then she said, 'please hold, please hold'
I'm getting mixed signals, mixed signals.

11. Ugly Guys With Beautiful Girls

Ugly guys with beautiful girls
You always know what the story is.
Beautiful girls with ugly guys
What do they take us for anyway?
What do they take us for anyway?
Ugly guys with beautiful girls
Ugly guys with beautiful girls
As they walk down the street arm in arm, I see them and once again feel the need to ask myself the question, the question that has weighed heavily on me of late. How is it possible that a guy and a girl so dissimilar in physical appearance, there being such a disparity in how attractive each is, be nonetheless in what would appear to be some sort of relationship?
It ain't done with smoke and mirrors.
It ain't done with smoke and mirrors.
It ain't done with smoke and mirrors.
Ugly guys with beautiful girls
Ugly guys with beautiful girls
Ugly guys with beautiful girls
How do we explain this? An attraction of opposites? No, that theory has been refuted by many experts in the fields of human psychology. A much greater attraction seems to come from one more similar to oneself. Personality, perhaps? Without intending to sound judgmental, I would say that he doesn't look like what was once called a 'live wire' or 'the life of the party.' He appears rather expressionless. His movements are stiff and even awkward. Perhaps he is a person of some intellect---an expert in science, the arts, political theory. No , I think not. See how well tailored his clothes are, how well cut his hair is.
It ain't done with smoke and mirrors.
It ain't done with smoke and mirrors.
It ain't done with smoke and mirrors.
Ugly guys with beautiful girls
Ugly guys with beautiful girls
Ugly guys with beautiful girls
(Ugly Guys With Beautiful Girls con't.)
I must confess to you, my listeners, that I have been a little less than honest in pretending I had no answers to my previous questions. You see, I lost someone very dear to me, someone very beautiful, to someone much like him.
Ah, you ask, surely there must have been other areas where you were deficient and he was not. No, I don't believe so. My shortcomings were of an economic nature. He was rich. I was not.
You see, I underestimated the appeal to her of things---imported things on wheels, large things with manicured lawns and Olympic swimming pools, things to wear around her neck that would glisten in the night light. Things. Still, I am not bitter. Rather, I am an observer who saw first hand how life may not be fair. Would things have turned out differently between me and her had I moved up the corporate ladder quicker, been born of more noble stock, or done better on one of our journeys to Las Vegas? Perhaps. In fact, I'm certain of it. Things would have turned out differently between me and her. I know this now. It ain't done with smoke and mirrors.
Ugly guys with beautiful girls.
You always know what the story is.

12. Suburban Homeboy

I am a suburban homeboy with a suburban 'ho right by my side
I am a suburban homeboy and I say yo dog to my pool cleaning guy
I hope I'm baggy enough for them
I play my Shaggy enough for them
I'll pop a cap up some fool at the Gap
'Cause I'm a suburban homeboy
I am a suburban homeboy with a suburban ho right by my side
I am a suburban homeboy and I say yo' dog to my detailing guy
I bought me cornrows on Amazon
I started listening to Farrakhan
My caddy and me he looks just like Jay-Z
And I'm a suburban homeboy
I am a suburban homeboy with a suburban ho right by my side
She's known as Miss Missy Tannenbaum and she's one freak bitch, ain't no lie
She's from the projects in St. Tropez
She looks like Iverson in a way
She yo yo's me and I yo yo her back
And I'm a suburban homeboy
She yo yo's me and I yo yo her back
And I'm a suburban homeboy
She yo yo's me and I yo yo her back
And I'm a suburban homeboy
We are suburban homeboys
With our suburban ho's right by our sides
We are suburban homeboys and we say yo dog and we mean it, by God
We've got an old school mentality
Oxford and Cambridge mentality
Props to our peeps and please keep your receipts
And we are suburban homeboys
Props to our peeps and please keep your receipts
And we are suburban homeboys
Props to our peeps and please keep your receipts
And we are suburban homeboys
Props to our peeps and please keep your receipts
And we are suburban homeboys

Credits

All songs written, produced, and arranged by Ron Mael and Russell Mael
Recorded at Sparks Studio, Los Angeles, California
Ron Mael- Keyboards, orchestrations, and programming
Russell Mael - Vocals, programming
Tammy Glover-Drums
Dean Menta- Guitar
John Thomas- Mixing and additional engineering
Sparks live technician-Robert Garnham
Sparks live sound-Cristiano Avigni
Design by Dave Park
Photography by Aaron Rapoport
Video production by Olivier Kuntzel and Florence Deygas
Feature films by Don Murphy and Susan Montford
UK Charge d'affaires- Sue Harris, Republic Media
German public relations-Mike Koehler
All songs published by Avenue Louise Music/BMG/Ufa Publishing

Lil' Beethoven
Studio album by
ReleasedOctober 14, 2002 (UK)
November 26, 2002 (US)
Recorded2001-2002
StudioSparks Studios, Los Angeles, California
Genre
  • Art pop[1]
  • chamber pop[2]
  • neo-classical[3]
  • glam rock[3]
Length44:36
LabelPalm (US)
Lil' Beethoven / Artful (UK)
ProducerRon Mael, Russell Mael
Sparks chronology
Balls
(2000)
Lil' Beethoven
(2002)
Hello Young Lovers
(2006)
Singles from Lil' Beethoven
  1. 'Suburban Homeboy' b/w 'Wunderbar (Concerto In Koch Minor)'
    Released: March 24, 2003
Professional ratings
Review scores
SourceRating
Allmusic[4]
PopMatters(?)[5]
Rolling Stone(Positive)[6]

Lil' Beethoven is the 19th album by the Americanrock band Sparks, released in 2002.

Background[edit]

By 2002, Sparks had released eighteen albums, the last several of them in the new wave/synthpop vein. While this had been successful, breaking them in the US with 1983's 'Cool Places' and in Germany with 'When Do I Get To Sing 'My Way'?' in 1995, it had not secured them much critical acclaim or a consistent audience. 1997's Plagiarism, which consisted entirely of new recordings of earlier material, had been intended to introduce the group's back catalog to their new German audience, while building on the success with high-profile collaborations for the UK and US audience. It had only been partially successful.

The next album, Balls, had not been at all successful and was generally perceived as Sparks treading water.[7] The duo had already written an entire album's worth of material for a follow-up, but found that they were unenthusiastic with the results and so the album was scrapped, a decision which they admitted was difficult but ultimately crucial for them to continue challenging themselves and evolving their sound.

Sparks then decided to change track, dropping the synthpop sound, reducing the musical palette and developing the music upon piano lines and lyrics of Ron Mael and the vocals of Russell Mael.

In 2001, the Maels were commissioned by a German broadcasting company to produce a song for Günther Koch Revisited (Voll In Den Mann), an album that featured samples of sports commentator Günther Koch set to music. The band's contribution, 'Wunderbar', placed Koch's highly-spirited exclamations over an orchestral backing. The duo acknowledged that making the track provided them a blueprint for the direction that they would take on Lil' Beethoven. As has been the case with each Sparks album since 1988's Interior Design, the album was self-produced by the duo and recorded in Russell Mael's home studio.

Sound[edit]

Described by the band themselves as a 'career-defining opus', Lil' Beethoven saw the duo move into a more classical-influenced sound, with a heavy reliance on repetitive lyrics and piano lines, synthesized orchestration and multi-tracked vocals in place of percussion.[8] Opening track 'The Rhythm Thief' is an overall introduction to the band's new direction by declaring 'say goodbye to the beat'. 'My Baby's Taking Me Home' largely consists of the title repeated over 100 times with no other words being used, other than a spoken interlude.[9] Similarly, 'Your Call Is Very Important To Us' uses a corporation style call-hold message: 'Your call is very important to us. Please hold' which is then sung with some additional words: 'At first she said your call is very important to us, then she said please, please hold.' The only other lyrics in the song are 'Red light', 'Green light', 'I'm Getting Mixed Signals' and 'Sorry, I'm Going To Have To Put You Back On Hold'. These elements are layered with a simple piano line to create a highly textured effect.[10]

The majority of the sounds on Lil' Beethoven were produced with a Yamaha S80 keyboard.

Lil Beethoven Sparks Raritan

Reaction[edit]

The album was critically applauded, which led to renewed interest in the band; Record Collector magazine named the album as one of its Best New Albums of 2002, describing it as '... possibly the most exciting and interesting release ever from such a long established act'[11] and later in 2003 saying '... it really does feel like one of the best albums ever made.'[9]

Release[edit]

Lil' Beethoven, while critically acclaimed, did not chart inside the top 100 in the UK, Germany or the US. It was released in a limited edition which had hard-cover book binding. The album was promoted by the single Suburban Homeboy: it, too, did not chart. The single was backed two b-sides, an extended version of Suburban Homeboy (Suburban Homeboy (Extended 'Ron Speaks' Version)) and Wunderbar (Concerto In Koch Minor), which samples the voice of German sports commentator Günther Koch.

Re-release[edit]

In March 2004, Sparks re-issued Lil' Beethoven in a deluxe edition. This version had a black sleeve as opposed to the white original, and included three audio tracks (two of which were exclusive), a video of 'The Rhythm Thief' (directed by long-time collaborators Kuntzel+Deygas), a short film by Ron Mael, and a screensaver. An LP version of the album (which did not include any bonus tracks) was also released at the same time.

A DVD produced by Demon Vision was also released of a live performance of the album. The live performance was filmed in March 2004 at the Södra Teatern in Stockholm, Sweden. The DVD features the album performed in full and in order, followed by a set of twelve other Sparks songs.

Track listing[edit]

All tracks are written by Ron Mael and Russell Mael.

Lil Beethoven Sparks Rarity

Side one
No.TitleLength
1.'The Rhythm Thief'5:18
2.'How Do I Get To Carnegie Hall?'3:50
3.'What Are All These Bands So Angry About?'3:32
4.'I Married Myself'4:59
5.'Ride 'Em Cowboy'4:20

Sparks Lil Beethoven Rar

Side two
No.TitleLength
6.'My Baby's Taking Me Home'4:42
7.'Your Call's Very Important To Us. Please Hold.'4:11
8.'Ugly Guys With Beautiful Girls'7:06
9.'Suburban Homeboy'2:58
Deluxe edition bonus tracks (2004)
No.TitleLength
10.'The Legend Of Lil' Beethoven'2:06
11.'Wunderbar (Concerto In Koch Minor)'3:54
12.'The Rhythm Thief (Instrumental Version)'5:24
13.'The Rhythm Thief' (Video)
14.'Inspiration Behind Lil' Beethoven: 'Fear of a Blank Page' (Visual)
15.'Lil' Beethoven Screen Saver'

Personnel[edit]

  • Russell Mael – Vocals, programming, production, arrangements
  • Ron Mael – Keyboards, orchestrations, programming, production, arrangements
  • Tammy Glover – Drums
  • Dean Menta – Guitar
  • John Thomas – Mixing, additional engineering
  • Günther Koch – Vocals on 'Wunderbar'

DVD[edit]

Lil' Beethoven – Live in Stockholm
  1. 'The Rhythm Thief'
  2. 'How Do I Get To Carnegie Hall?'
  3. 'What Are All These Bands So Angry About?'
  4. 'I Married Myself'
  5. 'Ride 'Em Cowboy'
  6. 'My Baby's Taking Me Home'
  7. 'Your Call's Very Important To Us. Please Hold'
  8. 'Ugly Guys With Beautiful Girls'
  9. 'Suburban Homeboy'
  10. 'It's A Sparks Show'
  11. 'National Crime Awareness Week'
  12. 'Here In Heaven'
  13. 'The Number One Song in Heaven'
  14. 'Nothing To Do'
  15. 'The Calm Before The Storm'
  16. 'The Ghost Of Liberace'
  17. 'Talent Is An Asset'
  18. 'Hospitality On Parade'
  19. 'When I Kiss You (I Hear Charlie Parker Playing)'
  20. 'This Town Ain't Big Enough for Both of Us'
  21. 'When Do I Get To Sing 'My Way'?'
  22. 'Amateur Hour'
Special Features
  1. 'The Legend Of Lil' Beethoven'
  2. Soundcheck
  3. Backstage With Sparks
  4. Audience Interviews / Meet The Fans
  5. Sparks Facts
Live personnel
  • Russell Mael – Vocals
  • Ron Mael – Keyboards
  • Tammy Glover – Drums, Timpani, Percussion and Backing Vocals
  • Dean Menta – Guitar, Timpani and Backing Vocals

References[edit]

  1. ^'Expect the Unexpected: A Conversation with Sparks'. September 13, 2017. Retrieved November 22, 2017.
  2. ^'Sparks - Record Collector Magazine'. recordcollectormag.com. Retrieved April 28, 2019.
  3. ^ ab'Beyond Bowie: The mutating art-pop of Sparks in 10 records - The Vinyl Factory'. Retrieved April 28, 2019.
  4. ^Allmusic review
  5. ^'PopMatters review'. Retrieved April 28, 2019.
  6. ^'Album Reviews: Sparks'. Rolling Stone. Archived from the original on November 3, 2008. Retrieved September 22, 2015.
  7. ^Encyclopedia of Popular Music. 'Sparks'. BBC. Retrieved April 13, 2006.[dead link]
  8. ^'Sparks - Lil' Beethoven'. Allmusic. Retrieved February 8, 2015.
  9. ^ abEaslea, Daryl (July 2003). 'Sparks Interview'. Record Collector Magazine Issue. 287.
  10. ^'Hello Young Lovers review on StylusMagazine.com'. Archived from the original on March 29, 2006. Retrieved April 25, 2006.
  11. ^'Best New Albums of 2002'. Record Collector. 281. January 2003.
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